Friday, 21 September 2007
Superbad (2007)
The film industry is known for "New Waves" the french had it, American cinema had a new wave (highly inspired by the french though) then the UK so on and so on. It appears at the moment we are experiencing a new wave within comedy. This could be best described as a "network" of actors and directors, often friends, who are working, wrtitting and directing together to create a portfolio of work. It's quite clever and sneaky really as its just an easy way to create buzz and get people to see your film. well...take Superbad. Produced by 40 Year Old Virgin director Judd Apatow, and written by 40 year old virgin and Knocked up star Seth Rogan superbad can now be marketed as "a new film from creators of 40 Year old virgin" even though its not directed by him. Much in the way Tarantino was the producer of hostel and suddenly it was "Hostel, From Quentin Tarantino" even though he was merely one of the producers. Anyway this point, though meant in a slightly negative sense becomes pointless when you watch the movie because, sly marketing aside, it does what it says on the tin, and thats be F*cking hillarious.
Having watched 40 Year Old Virgin, Knocked Up & Superbad i can safetly say they are some of the funniest films i have seen in a long while. Though they can be extremely crude (Superbad especially) they have a certain qaulity to them, they almost go back to the golden age of american comedy and deliver something that really challenges and bushes the bounderies. So many comedies of today seem pale, yet these films inject new life into the comedy scene.
Superbad Follows Seth (Jonah Hill), Evan (Michae Cera) & Fogell in their quest to "Get lucky". Along the way, Fogell is seperated from the group is befriended by two cops who he travels with on their duties. That storyline provides for most of the all out jokes, as some of the other plotlines are mixed with more emotional moments (though not that much mind you, not to degree of Knocked up). The cops played by Seth Rogan (Knocked up) and Bill Hader (you, Me & Dupree) are fantastically funny. Some people have complained about the addition of the cops saying they were too over the top in the way they acted. However though i can see where people may view it like that, i felt that manic homour and with the comedic delivery by both involved, for me, it added to the film. It also provided a great hook for the character of Fogell to be discovered further and the interaction between the 3 is hillarious at most part.
One of the biggest faults pointed in the direction of Superbad is its moral issues and its depiction of teenagers and teenage life. Yes this film is crude, very crude. I think there can be something said for a certain amount of negativity within its depiction of women aswell, but (and i may be scrapping the barrel of defense for this issue) but i feel its fairly even. Evan's storyline and his girl , Becca, is not a good representation of young women. She gets drunk alot, is seen as just wanting to have sex, so on and so on, so yes i can agree that is bad. However on the other storyline the roles are reversed where it is the guy (Seth - Jonaah Hill) who is made out to be the idiot. Where the girl he likes, Jules (Emma Stone) doesn't drink, smart and is in control of the situation, where Seth is made to look like the fool. So i feel you have some balence here but i guess that can be compromised a little by the ending (you'll see what i mean)
When i review a film i try to take it for what it is, or if it does what it says on the tin, and superbad is a comedy and all the moral issues aside, for me, it works as a comedy. in fact, not since Knocked up (theres a suprise) have i laughed so much in the cinema. The "Dick Montage" is quite possibly the single funniest thing i have seen and nearly fell out of my seat. Lines such as "if you stratch my back i'll scratch yours" - "well funny thing about my back is its on my penis"...crude yes, but hell whats life without laughter!?
All in all, this team of comedy writers, actors and directors are on a role, with 40 yr old virgin, knocked up and Superbad they are creating hillarious, on the edge, slightly controversial comedy movies that are a cut above what we are used to seeing.
Run, Fatboy, Run (2007)
When going into this movie a lot of the factors seem to point to a great film. on the acting front you had Simon Pegg, Thandie Newton, Dylan Moran and Hank Azaria, all have shown they can deliver the laughs. Then to top that you had David Schwimmer seating at the directors chair. He and Simon pegg have begun to form a union in film, having previously starred in "Big Nothing" which was a solid dark comedy. So i thought this film couldn't set a step wrong....
Boy, was i wrong. The first point i would like to bring up is that this is not a "Simon Pegg Production" written by American Michael Ian Black, this is not in the same mindset or frame that Simon Pegg / Edgar Wright films are. I knew this was the case before i saw the film but i still expected it to be fairly daring and entertaining, it wasn't. You can clearly tell this is an American story with American / hollywood studio ideologies attached to it. It's brutally predictable and clichéd to the point that you feel you're watching a step by step playbook on how to make a romantic comedy. It at times felt over sentimental and some of the side characters were way to one-dimensional and struggle to get a laugh. It was weird seeing these talented people try to get something funny out of this stale film. It ends how you would expect it to end and has all the narrative hooks you would expect from a film of this type without trying to be different
Right, i guess i better even this out a little. Lets talk good, though i may not talk for that long. It seemed to me that the funniest scenes stuck out. By that i mean, when it was actually trying to be funny and get genuine laughs, it felt it was refreshing from the lovey dovey slush the rest of the film was. The fight between Dennis (Pegg) and Gordon (Moran) was pretty well comedically executed. The several Cameos including David Walliams and Stephen Merchant work well. Though one of the main plus points is the soundtrack. It has a great soundtrack with a mix of current songs (Baby Fratelli - The Fratellis, Monkey Man - Amy Winehouse) or old clasics (Queen Bitch - David Bowie) and add life to a pretty stale comedy.
All in all, I felt this film didn't live up to its director or cast and overall gave in to hollywood conventions and fell short, quite short.
Boy, was i wrong. The first point i would like to bring up is that this is not a "Simon Pegg Production" written by American Michael Ian Black, this is not in the same mindset or frame that Simon Pegg / Edgar Wright films are. I knew this was the case before i saw the film but i still expected it to be fairly daring and entertaining, it wasn't. You can clearly tell this is an American story with American / hollywood studio ideologies attached to it. It's brutally predictable and clichéd to the point that you feel you're watching a step by step playbook on how to make a romantic comedy. It at times felt over sentimental and some of the side characters were way to one-dimensional and struggle to get a laugh. It was weird seeing these talented people try to get something funny out of this stale film. It ends how you would expect it to end and has all the narrative hooks you would expect from a film of this type without trying to be different
Right, i guess i better even this out a little. Lets talk good, though i may not talk for that long. It seemed to me that the funniest scenes stuck out. By that i mean, when it was actually trying to be funny and get genuine laughs, it felt it was refreshing from the lovey dovey slush the rest of the film was. The fight between Dennis (Pegg) and Gordon (Moran) was pretty well comedically executed. The several Cameos including David Walliams and Stephen Merchant work well. Though one of the main plus points is the soundtrack. It has a great soundtrack with a mix of current songs (Baby Fratelli - The Fratellis, Monkey Man - Amy Winehouse) or old clasics (Queen Bitch - David Bowie) and add life to a pretty stale comedy.
All in all, I felt this film didn't live up to its director or cast and overall gave in to hollywood conventions and fell short, quite short.
Subscribe to:
Posts (Atom)